Tuesday, April 26, 2011

John James Audubon Turns 226

Today is John James Audubon's 226th birthday, so says Google and its bird mural. I've spent the past several years teaching a bird unit as part of an English research project, and over the last couple years I threw myself into a birder's life (more research) to write my middle grade novel BIRD NERD. (This novel is currently in Submission Land.) I never thought I'd appreciate birds like I do now, nor did it ever occur to write a book featuring a 12 year-old nerd (Eddie Waymire) who's obssessed with them.

But as our immediate "worlds" change, so do we. And as writers, we're constantly drawing from our "worlds." John James Audubon dedicated his life to birds. Birds were his world. He watched them, studied them, drew them, and experienced every part of birding life. If it weren't for him, I wouldn't be teaching a bird research unit and I definitely would not have written BIRD NERD.

So, to John James Audubon - Happy 226th! That's a lot of candles! 

_____________________________

Yo, birders! Check out these books:

Okay for Now, by Gary D. Schmidt

Birds, by Kevin Henkes & Laura Dronzek

About Birds, by Cathryn and John Sill

Owl Moon, by Jane Yolen

Dark Emporer, by Joyce Sidman

Bird Boy, by Elizabeth Star Hill





Saturday, April 23, 2011

New E-Book Pricing Model (Wymer Model)

I posted this comment a few days ago over at Nathan Bransford's Forums. Thought I'd share it here.

An e-book hypothetical. This leans on Nathan's post about the "tragedy of the commons." What if traditional publishers, in order to level the playing field and make their e-books more appealing to consumers, that is--more appealing than the $0.99-$2.99 self-published books, used a graduated price increase. Let's say all e-books start at $0.99, until the hundredth or thousandth e-book sells--depending on the estimated number of sales, the author, the popularity of the series, etc.--and then when sales hit the target (dare I say, "magic") number, the price increases to $1.99. After the next hundred of thousand books sell, the price increases from $1.99 to $2.99. Publishers could sustain this model until the price hits the current $9.99, and then cement the price there. Or... publishers don't stop at the current e-book ceiling. Instead, it takes the price all the way up to $12.99 or $16.99 (the most common price of a juvenile hardcover). I would imagine that sales would decline around the current e-book new release average, $9.99. 


The big questions are - What does this do to consumerism? How does it affect readers? How does it affect authors, publishers, and the likes of Amazon, Apple, and B&N (the people actually making money)? Does it have any effect at all? Am I a bumbling fool? 

Well, the goal would be to drive readers to books early and often. There is probably a name for this type of business model, but since I teach English and creative writing and know little to nothing about business models, I'll leave the naming to someone who knows what he's (or she's) talking about. Whatever the name, you'd think this approach would have to create some sort of immediacy in readers. 

Take a look at consumerism the day after Thanksgiving. Black Friday. It's still the biggest, most successful, shopping day of the year almost every year. Why? Because of limited time only bargains. Half off. Seventy-five percent off. But only for a limited time. People have to take two trips home from Toys R Us because everything doesn't fit in their van. I've seen it happen! 

This could be the publishing industry. Every day. Imagine it. There are certainly times when more books are released than others. Spring and fall are hot beds for forthcoming titles. But there are always new books hitting the "shelves." With a graduated price increase, there would be an urgency to buy new releases--as they're released--as opposed to waiting around until the price drops or one of your friends buys it. Or, if your local library still exists, waiting for your library to acquire the title, which can take months. 

Furthermore, how would this graduated model affect sales? Short term? Long term? Would most books open to tremendous sales and then taper off? 

I guess that would depend on the reviews, acclaim, and overall popularity. If a book sold moderately at opening, and then caught fire with consumers (readers), you could be looking at the largest number of sales at a higher price point. Would this create more profit for everyone? The answer to whether this model would be successful or not would take more numbers than I have access to and more time than I'd like to spend away from writing stories. It would also take Amanda Hocking's and Barry Eisler's brains to navigate a spreadsheet and come up with a definitive solution. 

Publishing is at a major crossroads. So, whatever the answer, why not try it?

*Note: This model is called Penetration Pricing, but I've been thinking that the Wymer Model sounds much better. 



Wednesday, April 20, 2011

James Kennedy Introduces Neil Gaiman

This video needs no further introduction. But if James Kennedy introduced this video it would probably last at least ten minutes and be pretty funny and self-indulgent at the same time. 


I introduce Neil Gaiman at "One Book, One Chicago" from James Kennedy on Vimeo.

The Fourth Stall Winner....

The winner of the SIGNED copy (Chris's signature, not mine) of The Fourth Stall is....


Her husband will be teaching middle school next year, and I can't think of a better book to start a reading list for his classes. It's high interest and full of humor, threats, fighting, and downright illicit activities. No better way to welcome her husband to the prepubescent stink of middle school. Plus, the kids will love the book.

Congrats to Jenny! She also has a really cool blog called Place for the Stolen where she often dissects reading like a writer. And she likes to steal stuff, which means she and her husband fit right into The Fourth Stall's dark side. 

Jenny - Please email your mailing address to me. Thanks!

*Survival Note: I'm getting out of here before Mac and Vince catch me giving their book away for free. Nothing's free in middle school. Nothing!  

Saturday, April 16, 2011

Review -- The Fourth Stall, by Chris Rylander

Before we go any further here, it's important that you know a little bit about my book reviews. Brief. To the point. Honest. Read it or not. Now that we're square, you can read on. Wait, there's another thing you should know. I paid someone a lot of money to get this synopsis of The Fourth Stall. For some reason, when it comes to this book things don't come easy. I'm either paying someone a lot of money to do something or a dark figure is lurking around the corner. It's starting to give me the willies. Anyway, here's the synopsis. Enjoy it before that dark figure threatens me and makes me take it down.    
Do you need something? Mac can get it for you. It's what he does—he and his best friend and business manager, Vince. Their methods might sometimes run afoul of the law, or at least the school code of conduct, but if you have a problem, if no one else can help, and if you can pay him, Mac is on your side. His office is located in the East Wing boys' bathroom, fourth stall from the high window. And business is booming.
Or at least it was, until one particular Monday. It starts with a third grader in need of protection. And before this ordeal is over, it's going to involve a legendary high school crime boss named Staples, an intramural gambling ring, a graffiti ninja, the nine most dangerous bullies in school, and the first Chicago Cubs World Series game in almost seventy years. And that's just the beginning. Mac and Vince soon realize that the trouble with solving everyone else's problems is that there's no one left to solve yours.
In The Fourth Stall, author Chris Rylander strikes a chord with middle grade readers. He touches on friendship, loyalty, trust, fears, and, low and behold, entrepreneurship. He does this with humor and heart, which are two components of many successful (and effective) middle grade novels. No matter how one defines success in a novel, Mac (the main character) and Vince's (Mac's best friend and partner-in-crime) story resonates with middle grade readers. Here are few comments from my sixth grade students to prove it:
 "The Fourth Stall is an amazing book. It made me suspect everyone but the actual culprit, and made my jaw hit the ground when I found out who it was." -Chloe B.
"The Fourth Stall is easily one of my favorite books. It's fast-paced with adventure or mystery waiting at every corner. I would stay up till 1 AM reading this book. I would recommend The Fourth Stall to all of my friends. I enjoyed every bit of this book and congrats to Chris Rylander on your first book. I am looking forward to the next one to come out." -Ethan G.
"I loved the book. Really liked the concept and how it connected to 6th graders. I also really liked the dialogue and humor."  -Aren B.
"The Fourth Stall was an excellent book. I couldn't put down the book. It was full of suspense and excitement." -Daniel D.
"The Fourth Stall was one of my favorite books of all time. It had a very relatable story and very comical characters." -James H.
So there you have it, from the mouths of 12 year-olds. And just when you thought your day couldn't get any better....You can win a SIGNED copy of The Fourth Stall! Here's how:
  • Leave a comment.
  • Name a person you will pass the book to after you're finished reading it.
  • The person you pass the book to must be under 14 years-old.
After all, *Trix (and this book) are for kids.

Okay, that's all folks. I'm outta here before that dark figure comes looking for me. 
____________________________________
*Chris Rylander is a cereal aficionado.


Wednesday, April 13, 2011

Review -- Okay For Now, by Gary D. Schmidt

First things first. Gary Schmidt is my literary hero, so this review is biased. I'm just letting you know, so going into this you realize I'll be encouraging you to buy the book or check it out from your local library (if your library still exists), even if it were to be an awful book. Lucky for both of us, it's awful alright. Awfully freaking good.   

Borrowed (Stolen) from the publisher:

As a fourteen-year-old who just moved to a new town, with no friends and a louse for an older brother, Doug Swieteck has all the stats stacked against him. So begins a coming-of-age masterwork full of equal parts comedy and tragedy from Newbery Honor winner Gary D. Schmidt. As Doug struggles to be more than the “skinny thug” that his teachers and the police think him to be, he finds an unlikely ally in Lil Spicer—a fiery young lady who “smelled like daisies would smell if they were growing in a big field under a clearing sky after a rain.” In Lil, Doug finds the strength to endure an abusive father, the suspicions of a whole town, and the return of his oldest brother, forever scarred, from Vietnam. Together, they find a safe haven in the local library, inspiration in learning about the plates of John James Audubon’s birds, and a hilarious adventure on a Broadway stage. In this stunning novel, Schmidt expertly weaves multiple themes of loss and recovery in a story teeming with distinctive, unusual characters and invaluable lessons about love, creativity, and survival.

In Okay for Now, Gary D. Schmidt walks a tightrope and performs a splendid balancing act, giving ample weight and consistency to numerous themes and issues: a sense of belonging, family relationships (abusive father, but presented appropriately), community, starting over and fitting in, love, humor, and creativity, specifically drawing and writing. The voice is (to use the ubiquitous publishing term) "spot-on", and most of the characters feel three dimensional, the lone exception being Doug's father's best friend, Ernie Eco. This character sees little page time, and throughout most of the story he looms as the dark shadow of Doug's father. However, as Doug's father's most patronizing influence, Ernie Eco indirectly demoralizes Doug's hopes for a decent paternal presence.        

Schmidt is a master of many writing techniques. He breathes life into his settings. He elevates sarcasm to a high, but comfortable, level. He takes the ordinary object and makes it invaluable. He leans on the use of repetition to create voice. Overall, he is one of my favorite writers and storytellers, because he has so much to say but says it succinctly and effectively. Sometimes reading a book can feel like chewing on a piece of fat, but with Schmidt it's like riding in the passenger's seat with the window down while a cool summer breeze kicks your hair back.

Some highlights in the book are: John James Audubon's bird plates, which begin each chapter and which Doug Swieteck becomes obssessed with, the sporadic use of the one-word sentence "Terrific," which elevates  Doug's sarcasm and which Doug later uses in a positive sense, Doug's consistent recollection of wanting to punch the poet Percy Bysshe Shelley in the face, Doug's relationship with a girl named Lil Spicer and the relationships he eventually forms with several adults, a common theme in middle grade (and upper middle grade) fiction.

As a life-long baseball fanatic, there is one "error" in the book: 
"You imagine that it's Game Seven of the World Series and the Yankees are playing the Red Sox."
This one slipped by an editor, because the Yanks and Sox are both American League teams and are unable to play each other in the World Series. Ever. It should've been corrected to something like "...Game Seven of the American League Pennant" *Note: I read the ARC, so this may have been changed in the final copy. I'll double check to be fair. 

In Okay for Now, Schmidt provides another example of how setting, voice, and character can drive story and make it come to life. Those are, after all, the key elements in fiction, but Schmidt has a way of emphasizing each element while making it look (and feel) easy. Though this book is technically historical fiction, Doug Swieteck's first person account will certainly relate to today's tween readers and keep them turning pages.     

Monday, April 11, 2011

Proof in the Pessimist's Pudding

Many middle grade and young adult novels feature main characters with pessimistic outlooks. I write them myself. You know the kind. The kid is a loner or loser (sometimes both), and if he were a car he'd be a lemon. The glass is always half empty. The lawn half-mowed. School sucks, parents suck worse, and siblings are little devils reincarnated.

But cleverly enough, this allows room for the main character to experience the plot, grow, and, ultimately, CHANGE (boy, that's a lot of commas). Who wants to read about Mr. Perfect anyway? He's boring and full of perfection. Flaws are what make interesting characters, and those flaws often materialize in hard-luck narrators.   

Here are some examples:

J. D. Salinger, The Catcher in the Rye

If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.

Jeff Kinney, Diary of a Wimpy Kid (#1)
First of all, let me get something straight: This is a JOURNAL, not a diary. I know what it says on the cover, but when Mom went out to buy this thing I SPECIFICALLY told her to get one that didn't say "diary" on it.
Gary D. Schmidt, The Wednesday Wars

Of all the kids in the seventh grade at Camillo Junior High, there was one kid that Mrs. Baker hated with heat whiter than the sun. Me.
However, there is a fine line to writing characters like this. If your protagonist becomes a whine box and constant complainer, then it can be difficult to create Reader Empathy (yes, in my world, Reader Empathy is capitalized). Much like Mr. Perfect, no one wants to read about someone who uploads their petty issues to other people's databases, especially the reader's. In other words, who wants to buy a book, only to be vented upon. Not me.

However (I realize I started the previous paragraph this way; I've done it purposefully, and my brain is in shut-down mode), the proof is in the pessimist's pudding. Take a look at lines from my students' (7th graders) journal entries (during last period on a Monday):
I got up this morning, reluctant to go to school because I was so tired... the room was filled with obnoxious boys, who talked in baby voices the entire time...
Today has not been such a great day so far... then I had math, which couldn't have been more boring... I DON'T LIKE MONDAYS!
Wow, I hate Mondays! The tired feeling after a nice, relaxing weekend. The disappointment that comes with the realization of the quality times with friends and family coming to a rapid end...
This morning was one of the worst mornings of my life. First, I woke up twenty minutes late, which caused me to be frantic and stressed out. I was in such a rush that I spilled juice on one of my favorite sweaters, and I had to apply my make-up as I was eating breakfast.
Mondays are always too long, and this one was no exception. We always park near the field, all the way on the other side of school. I had to run all the way to the middle school, only to find out it was only 7:40. I groaned, and went to my locker.
Well, there you have it. This may help you realize why pessimism rings true with Tween Readers. (forgive me, I'm way in to capitalizing today).

Wednesday, April 6, 2011

I Do Not Tweet, I Chirp

So I've come to like Twitter more and more recently. Here's why:
  • Following people from the publishing industry (agents, editors, publishers, writers, etc.)
  • Brevity
  • Links to top publishing stories
  • Links to funny and amusing articles
  • Links to hot topics
  • Did I mention Links?
  • Hitting the ReTweet Button and feeling like I've Tweeted something, when in reality I'm stealing someone else's thunder
  • Substituting the word Tweet for Fart at the dinner table. "Gross! You Tweeted!" As you can see, we are a very formal family.
  • Twitter's symbol is a bird. I don't know why, but I like birds so I like the symbol.
  • I'm assuming Twitter thinks Tweet is the sound a bird makes.
  • Hey Twitter, birds do not tweet. They chirp. 
  • Using Twitter as an overall news source. Did I mention Links?
 Lately I've been Chirping a lot. It's true that 140 characters from at least 140 people can enlighten you in some way, even if it's a Link.

You can follow my Chirping right here: TracyEWymer


Monday, April 4, 2011

The Titleless Blog (a.k.a. My Blog)

Spring Break. Ah. Yes. Week two, nonetheless. My feet are currently up, in a resting position, affixed to something soft, as is my butt.

Here are a couple things happening at... my blog. I was going to use my blog's name, but then I realized my blog doesn't have a name. It used to be Crossing Chalk, named after my first MG novel, which everyone in the Milky Way (and other galaxies) passed on. No biggie though, novel number two is getting much better (dare I say enthusiastic) responses from readers. 

So here's what's to look forward to on... my blog.
Well, that's about it. If any of those topics interest you, then stick around for more reading (that makes you smarter by the post) from... my blog.

As another literary hero of mine (Avi) says: we writers write reading, not writing. 

____________________________________

Spelling Lesson of the Day:

Word: ACHILLES

Sixth Grade Versions:
  • Akilles
  • Achealeez
  • Akeeleas
  • Achielize
  • Achilleeze
 
The word I'm most scared to hear Sixth Graders say: TELEMACHUS

So... how do YOU pronounce TELEMACHUS?